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Cast

Hana Blažíková

Hana Blažíková

soprán

Heidi Maria Taubert

Heidi Maria Taubert

soprán

David Erler

David Erler

kontratenor

Markéta Cukrová

Markéta Cukrová

alt

Tomáš Kořínek

Tomáš Kořínek

tenor

Roman Janál

Roman Janál

baryton

François Fernandez

François Fernandez

Jana Semerádová

Jana Semerádová

Lenka Koubková

Lenka Koubková

housle

Crew

Jaromír Vrlík

Jaromír Vrlík

Dramaturgy

Pavel Stříbrný

Pavel Stříbrný

Editor

Danuše Břeská

Danuše Břeská

Production Director

Patrik Hoznauer

Patrik Hoznauer

Director of Photography

Martin Rek

Martin Rek

Director

Helena Dohnalová

Helena Dohnalová

Screenplay

František Mixa

František Mixa

Music Director

Milan Polášek

Milan Polášek

Sound

Lubomír Výrek

Lubomír Výrek

Sound

Jakub Fabian

Jakub Fabian

Camera Operator

Krunoslav Keteleš

Krunoslav Keteleš

Camera Operator

Petr Kožušník

Petr Kožušník

Camera Operator

Tomáš Pavelek

Tomáš Pavelek

Camera Operator

Ladislav Sedláček

Ladislav Sedláček

Camera Operator

Milan Štejdlíř

Milan Štejdlíř

Camera Operator

Pavel Vildomec

Pavel Vildomec

Camera Operator

Pavel Pernička

Pavel Pernička

Gaffer

Lenka Kordulová

Lenka Kordulová

Production Assistant

Danuše Břeská

Danuše Břeská

Production Manager

Marek Dohnal

Marek Dohnal

Creative Producer

Tomáš Jarolím

Tomáš Jarolím

Executive Producer

Movie poster

Antonio Caldara – Magdaléna u nohou Kristových

20100.0 / 100
Music

Overview

An oratorio about the conflict between earthly and heavenly love, with which the Italian composer applied for the position of Kapellmeister at the Viennese court, will be performed in a period style. Recording of the concert from the 2010 St. Wenceslas Music Festival at St. Wenceslas Church in Ostrava. Antonio Caldara was one of the most important composers of oratorios. The main character, Magdalene, is a popular figure in works of art with religious themes. She was identified with the sinner in Luke's Gospel, who after her conversion became one of Jesus' closest companions. In the first part, Mary Magdalene decides whether to choose the path of worldly pleasures or to repent and devote her life to God. In the second part of the oratorio, we find ourselves in the house of the Pharisee, who doubts the sincerity of Magdalene's repentance...