The short experimental film 1941 (2021) directed and produced by Asim Abdulaziz, explores the sense of disorientation and alienation experienced by Yemenis. After learning that knitting was a significant way for women in the United States to participate in the war effort during World War II. The repetitive nature of the hand movement guiding the needles and stitching the wool thread distracts one from pondering the past and future, locking the knitter into a timeless present. By staging the practice in Yemen, Abdulaziz draws an embodied metaphor around the quotidian experience of war—captive to the logic of survival—that inhibits projecting oneself into a future of self-realization.
