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Cast

Carla Peterson

Carla Peterson

Blanca Luz Brum

Luis Machín

Luis Machín

Natalio Félix Botana

Bruno Bichir

Bruno Bichir

David Alfaro Siqueiros

Ana Celentano

Ana Celentano

Salvadora Medina Onrubia

Sergio Boris

Sergio Boris

Pablo Neruda

Camilo Cuello Vitale

Camilo Cuello Vitale

Carlos Botana

Javier Drolas

Javier Drolas

Juan Carlos Castagnino

Mónica Galán

Mónica Galán

Victoria Ocampo

Rodrigo Noya

Rodrigo Noya

Helvio Botana

Juan Palomino

Juan Palomino

Saravia

Marcos Woinsky

Marcos Woinsky

Marek

Josefina Pieres

Josefina Pieres

Stella Galazzi

Stella Galazzi

Fräulein Pupy

Regina Lamm

Regina Lamm

Bebé Sansinena

Francisco Cocuzza

Francisco Cocuzza

Viejo facho

Matías Sandor

Matías Sandor

Jaime Botana

Rocío Sandor

Rocío Sandor

Georgina Botana

Martín Salazar

Martín Salazar

Lino Enea Spilimbergo

Nahuel Cano

Nahuel Cano

Antonio Berni

Crew

Héctor Olivera

Héctor Olivera

Director

Mónica Lozano

Mónica Lozano

Executive Producer

Dolores Bengolea

Dolores Bengolea

Producer

Marcela Sáenz

Marcela Sáenz

Editor

Luis Osvaldo Repetto

Luis Osvaldo Repetto

Executive Producer

Héctor Olivera

Héctor Olivera

Writer

Javier Olivera

Javier Olivera

Director

Héctor Olivera

Héctor Olivera

Producer

Movie poster

The Mural of Siqueiros

20115.2 / 10110 min
Drama

Overview

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.