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Cast

Yvonne Printemps

Yvonne Printemps

Marguerite Gauthier

Pierre Fresnay

Pierre Fresnay

Armand Duval

Jane Marken

Jane Marken

Prudence

Roland Armontel

Roland Armontel

Gaston

André Dubosc

André Dubosc

le duc

Armand Lurville

Armand Lurville

Saint-Gaudens

Andrée Lafayette

Andrée Lafayette

Olympe

Lugné-Poe

Lugné-Poe

M. Duval

Irma Génin

Irma Génin

Nichette

Renée Sénac

Renée Sénac

Nanine

Eddy Debray

Eddy Debray

Varville

Pierre Morin

Pierre Morin

Le docteur

Rivers Cadet

Rivers Cadet

Le marchand d'oublies

Janine Berry

Janine Berry

La patronne

Christiane Isola

Christiane Isola

Anne-Marie Cérès

Anne-Marie Cérès

Noël Darzal

Noël Darzal

Jérôme Goulven

Jérôme Goulven

Un élégant

Claude Ivane

Claude Ivane

Marcelle Duval

Marcelle Duval

Crew

Fernand Rivers

Fernand Rivers

Director

Abel Gance

Abel Gance

Director

Harry Stradling Sr.

Harry Stradling Sr.

Director of Photography

Abel Gance

Abel Gance

Producer

Fernand Masson

Fernand Masson

Music

André Versein

André Versein

Editor

Henri Ménessier

Henri Ménessier

Production Design

René Renoux

René Renoux

Production Design

Edmond Pingrin

Edmond Pingrin

Production Manager

William A. Wilmarth

William A. Wilmarth

Sound Engineer

Movie poster

La Dame aux camélias

19340.0 / 10110 min
Drama

Overview

Alexandre Dumas' romantic novel Lady of the Camelias (more popularly known as Camille) was filmed twice in 1953, first in Argentina, then in France. The Argentine film was heavily modernized, while the French version returns to Dumas' 19th-century milieu. Micheline Presle is excellent as Marguerite, the gorgeous courtesan who flits from man to man until she finds true love in the form of the much-younger Armand (Rolande Alexandre). Though he is willing to marry her despite her past, she is persuaded to forsake him, lest his reputation be ruined. The story then wends its way towards its famous tragic finale, as the consumptive Marguerite is permitted a few brief moments of happiness before her flame is permanently extinguished. Advertised as the seventh version of the Dumas classic, La Dame aux Camelias was certainly not the last.