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Cast

Christopher Cerf

Christopher Cerf

Presenter

Thomas Keenan

Thomas Keenan

Human Rights Project, Bard College, New York

Chris Arendt

Chris Arendt

Former Guard, Guantanamo Bay

Herb Friedman

Herb Friedman

Psychological Operations Expert, US Army

Mike Ritz

Mike Ritz

Former Interrogator, US Army

Nathalie Gosselin

Nathalie Gosselin

Music Psychologist, Université de Montréal

Moazzam Begg

Moazzam Begg

Former Detainee, Guantanamo Bay And Bagram

Morag Josephine Grant

Morag Josephine Grant

Musicologist, University Of Göttingen

Mike Luce

Mike Luce

Drowning Pool

C.J. Pierce

C.J. Pierce

Drowning Pool

Vahan Simidian II

Vahan Simidian II

CEO, HPV Technologies

Crew

Karl-Heinz Satzger

Karl-Heinz Satzger

Editor

Susanne Mertens

Susanne Mertens

Commissioning Editor

Ole Förster

Ole Förster

Sound Engineer

Tristan Chytroschek

Tristan Chytroschek

Director

Norik Stepanjan

Norik Stepanjan

Editor

Bernhard Wagner

Bernhard Wagner

Camera Operator

Alexander Joksimovic

Alexander Joksimovic

Sound Engineer

Knut Sodemann

Knut Sodemann

Camera Operator

Christian Eichenauer

Christian Eichenauer

Camera Operator

Max Kielhauser

Max Kielhauser

Sound Engineer

Igor Martinović

Igor Martinović

Camera Operator

George Parashakis

George Parashakis

Sound Engineer

Michael Bamber

Michael Bamber

Art Direction

Movie poster

Songs of War: Music as a Weapon

20107.5 / 1052 min
Documentary

Overview

Music is a Weapon

Music elates, touches the soul and bypasses reason. Music is magic. But precisely this magic can turn it into an insidious weapon for music and violence belong together. The brutal power of African war dances, the ferocity of Maori Hakas, the earth-shattering roar of US sound guns blasting Metallica at Taliban hideouts the principle is always the same: Aggressive sounds demoralise the enemy and whip the allies into a frenzy. In Songs of War, director Tristan Chytroschek explores the extraordinary harmony between music and violence. Sesame Street composer, Christopher Cerf, always wanted his music to be fun and entertaining. But then he learned that his songs had been used to torture prisoners in Guantanamo and Abu Ghraib. He is stunned by this abuse of his work and wants to find out how this could happen.