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Cast

Antonia Santilli

Antonia Santilli

Paolina Buonaparte

Rossana Canghiari

Rossana Canghiari

Nobildonna

Ettore Manni

Ettore Manni

Il brigante

Tony Askin

Tony Askin

Rossanna Ballanti

Rossanna Ballanti

Giulio Baraghini

Giulio Baraghini

Otello Belardi

Otello Belardi

Marina Berti

Marina Berti

Ernesto Colli

Ernesto Colli

Rossana Di Lorenzo

Rossana Di Lorenzo

Checco Durante

Checco Durante

Attilio Duse

Attilio Duse

Fiorenzo Fiorentini

Fiorenzo Fiorentini

Nella Gambini

Nella Gambini

Diego Ghiglia

Diego Ghiglia

Carlo Giordana

Carlo Giordana

Claudio Gora

Claudio Gora

Enzo Liberti

Enzo Liberti

Tiziano Longo

Tiziano Longo

Elio Pandolfi

Elio Pandolfi

Renato Pinciroli

Renato Pinciroli

Umberto Raho

Umberto Raho

Carlo Sanmartin

Carlo Sanmartin

Piero Vida

Piero Vida

Crew

Luigi Russo

Luigi Russo

Writer

Gianfranco Plenizio

Gianfranco Plenizio

Music

Nello Rossati

Nello Rossati

Director

Mario Gargiulo

Mario Gargiulo

Editor

Alfio Contini

Alfio Contini

Cinematography

Nello Rossati

Nello Rossati

Writer

Joe Chevalier

Joe Chevalier

Production Design

Roberto Alberghini

Roberto Alberghini

Sound Mixer

Liliana Galli

Liliana Galli

Costume Design

Piero Amati

Piero Amati

Production Assistant

Movie poster

Buona parte di Paolina

19732.0 / 1082 min
Comedy

Overview

Paulina, sister of Napoleon I, is married to Camillo Borghese, presented as a helpless coward. She is eager to offer herself to all the young people that propose to her, and performs naked in front of the Roman people flocking to the walls of Villa Borghese, which she turned into a private residence. She also poses half naked for the famous statue of Canova, who is also presented as a effeminate and scoundrel. When her reputation as a depraved spreads, on the advice of the Pope, she is segregated away from all the men. when the French troops deport from Rome the Pope and the cardinals as well, Paulina sees prostitution as the only way to find herself some "fresh meat". Finally after seven years villa Borghese is reopened to the public, as Paulina goes back to Paris, to the great relief of the Roman people and the clerical circles.