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Cast

Marie Rathscheck

Marie Rathscheck

Das melancholische Mädchen

Nicolo Pasetti

Nicolo Pasetti

Der Bruder

Nicolai Borger

Nicolai Borger

Existentialist

Yann Grouhel

Yann Grouhel

Normalo

Pero Radicic

Pero Radicic

Barmann

Felix Mayr

Felix Mayr

Clubfreund

Malte Bündgen

Malte Bündgen

Typ

Dax Constantine

Dax Constantine

Clubfreundin

Monika Freinberger

Monika Freinberger

Model

Julian Fricker

Julian Fricker

Drag Queen

Lorna Ishema

Lorna Ishema

Clubfreundin

Christine Kostropetsch

Christine Kostropetsch

Casterin

Markus Nechleba

Markus Nechleba

Psychoanalytiker

Alexander von Hugo

Alexander von Hugo

Vasilis

Monika Wiedemer

Monika Wiedemer

Yogalehrerin

Crew

Susanne Heinrich

Susanne Heinrich

Editor

Susanne Heinrich

Susanne Heinrich

Screenplay

Ágnes Pákózdi

Ágnes Pákózdi

Director of Photography

Susanne Heinrich

Susanne Heinrich

Director

Benjamin Mirguet

Benjamin Mirguet

Editor

Nora Willy

Nora Willy

Production Design

Laura Jasmin Schäffler

Laura Jasmin Schäffler

Costume Design

Jeanne Louët

Jeanne Louët

Production Design

Lisa Mareike Poethke

Lisa Mareike Poethke

Costume Design

Miren Oller

Miren Oller

Production Design

Andreas Louis

Andreas Louis

Line Producer

Moritz Sembritzki

Moritz Sembritzki

Original Music Composer

Mathias Bloech

Mathias Bloech

Original Music Composer

Silvio Naumann

Silvio Naumann

Sound Re-Recording Mixer

Philippe Bober

Philippe Bober

Co-Producer

Till Gerstenberger

Till Gerstenberger

Producer

Jana Kreissl

Jana Kreissl

Co-Producer

Movie poster

Aren't You Happy?

20196.3 / 1080 min
Drama, Comedy

Overview

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.