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Cast

Claude Hébert

Claude Hébert

Pierre Rivière

Jacqueline Milliere

Jacqueline Milliere

Meme Rivière

Joseph Leportier

Joseph Leportier

Mr. Rivière

Annick Gehan

Annick Gehan

Aimée

François Regnault

François Regnault

Cast member

Crew

René Allio

René Allio

Director

Pierre Gamet

Pierre Gamet

Sound

Bernard Bouix

Bernard Bouix

Unit Manager

Marie-Hélène Quinton

Marie-Hélène Quinton

Script Supervisor

Guy Canu

Guy Canu

Key Grip

Sylvie Blanc

Sylvie Blanc

Editor

Nicolas Philibert

Nicolas Philibert

Assistant Director

Fanny Berchaux

Fanny Berchaux

Consulting Producer

Ginette Tomasel

Ginette Tomasel

Production Secretary

Michelle Plaa

Michelle Plaa

Production Manager

Jean Jourdheuil

Jean Jourdheuil

Screenplay

Paul Allio

Paul Allio

Props

Gérard Mordillat

Gérard Mordillat

Assistant Director

Michel Thiriet

Michel Thiriet

Cinematography

Alain Grestau

Alain Grestau

Electrician

Michel Foucault

Michel Foucault

Book

Jochen D. Girsch

Jochen D. Girsch

Assistant Unit Manager

Patrice Noïa

Patrice Noïa

Sound Assistant

François Nadal

François Nadal

Special Effects

Philippe Barrier

Philippe Barrier

Still Photographer

René Allio

René Allio

Screenplay

Robert Alazraki

Robert Alazraki

Cinematography

Joël David

Joël David

Electrician

Pascal Bonitzer

Pascal Bonitzer

Screenplay

René Féret

René Féret

Delegated Producer

Jacques Dufour

Jacques Dufour

Sound Mixer

Serge Toubiana

Serge Toubiana

Screenplay

Nurith Aviv

Nurith Aviv

Cinematography

Christine Laurent

Christine Laurent

Costume Design

Movie poster

I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

19766.1 / 10130 min
Crime, Drama

Overview

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.