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Cast

Max von Sydow

Max von Sydow

Harry Haller

Dominique Sanda

Dominique Sanda

Hermine

Pierre Clémenti

Pierre Clémenti

Pablo

Carla Romanelli

Carla Romanelli

Maria

Roy Bosier

Roy Bosier

Aztec

Alfred Baillou

Alfred Baillou

Goethe

Niels-Peter Rudolph

Niels-Peter Rudolph

Gustav

Helmut Förnbacher

Helmut Förnbacher

Franz

Charles Regnier

Charles Regnier

Loering

Eduard Linkers

Eduard Linkers

Mr. Hefte

Silvia Reize

Silvia Reize

Dora

Sunnyi Melles

Sunnyi Melles

Rosa

Helen Hesse

Helen Hesse

Frau Hefte

Crew

Fred Haines

Fred Haines

Director

Fred Haines

Fred Haines

Writer

Melvin Fishman

Melvin Fishman

Producer

Richard Herland

Richard Herland

Producer

Thilo Theilen

Thilo Theilen

Associate Producer

Hermann Hesse

Hermann Hesse

Novel

Ernst Bertschi

Ernst Bertschi

Assistant Director

Mati Klarwein

Mati Klarwein

Painter

Ian Crafford

Ian Crafford

Sound Editor

Bill Rowe

Bill Rowe

Sound Recordist

Velja Sakota

Velja Sakota

Assistant Camera

Jaroslav Bradáč

Jaroslav Bradáč

Animation

Petra von Oelffen

Petra von Oelffen

Associate Editor

Charlie Mariano

Charlie Mariano

Musician

Nada Pinter

Nada Pinter

Script Supervisor

Roy Bosier

Roy Bosier

Choreographer

Peter J. Sprague

Peter J. Sprague

Executive Producer

George Gruntz

George Gruntz

Original Music Composer

Tomislav Pinter

Tomislav Pinter

Director of Photography

Irving Lerner

Irving Lerner

Editor

Leoš Karen

Leoš Karen

Art Direction

Else Heckmann

Else Heckmann

Costume Design

Movie poster

Steppenwolf

19745.9 / 10107 min
Drama

Overview

For madmen only.

In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and being a beast. He's decided to die on his 50th birthday, which is soon. He's rescued from his solipsism by the mysterious Hermine, who takes him dancing, introduces him to jazz and to the beautiful and whimsical Maria, and guides him into the hallucinations of the Magic Theater, which seem to take him into Hell. Can humour, sin, and derision lead to salvation?