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Cast

Ivan Mistrík

Ivan Mistrík

Květa Fialová

Květa Fialová

Elena Zvaríková-Pappová

Elena Zvaríková-Pappová

Štefan Kvietik

Štefan Kvietik

Július Vašek

Július Vašek

Vlado Müller

Vlado Müller

Leopold Haverl

Leopold Haverl

Igor Hrabinský

Igor Hrabinský

Jaroslav Veškrna

Jaroslav Veškrna

Frída Bachletová

Frída Bachletová

Martin Gregor

Martin Gregor

Eva Kristínová

Eva Kristínová

Daniel Michaelli

Daniel Michaelli

Oľga Thurzová

Oľga Thurzová

Ľudovít Ozábal

Ľudovít Ozábal

Slavomír Záhradník

Slavomír Záhradník

Rudolf Velický

Rudolf Velický

Ján Mistrík

Ján Mistrík

Vilma Jamnická

Vilma Jamnická

Xénia Gracová

Xénia Gracová

Ferdinand Vilím

Ferdinand Vilím

Crew

Andrej Svitek

Andrej Svitek

Makeup & Hair

Val Strazovec

Val Strazovec

Set Designer

Melánia Munková

Melánia Munková

Makeup & Hair

Anna Peschlová

Anna Peschlová

Costumer

Ivan Balaďa

Ivan Balaďa

Director

Juraj Šajmovič

Juraj Šajmovič

Director of Photography

Ladislav Mňačko

Ladislav Mňačko

Novel

Bedřich Voděrka

Bedřich Voděrka

Editor

Ladislav Mňačko

Ladislav Mňačko

Screenplay

Daniel Michaelli

Daniel Michaelli

Screenplay

Pavol Gavora

Pavol Gavora

Production Manager

Eugen Kiss

Eugen Kiss

Sound

Miroslav Horňák

Miroslav Horňák

First Assistant Director

Hana Kubenková

Hana Kubenková

Script

Viliam Šišovič

Viliam Šišovič

Set Decoration

Movie poster

Smrť sa volá Engelchen

19600.0 / 100
Drama, War, TV Movie

Overview

The television film based on the novel of the same name by Ladislav Mňaček draws on the period of World War II and the Slovak National Uprising. The film's story is composed of two intertwining time lines. In the images of the present that frame the entire narrative, the young partisan Voloďa - a hero with autobiographical features - recovers from a serious injury. In feverish reminiscences and in conversations with his nurse Eliška, he recapitulates the eventful events of his time in the partisan group in the village of Ploština, which the partisans abandoned under the pressure of events and left to the mercy of the German commando. Voloďa is haunted by visions of the burning Ploština, remorse and responsibility for the tragedy. In feverish reminiscences, he relives the meetings of the partisan detachment with the German commando. Memories of the mysterious Jewish girl Marta, a partisan liaison with whom Pavol had a passionate love affair, also return to him.