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Lillian Schwartz

Lillian Schwartz

Biography

Lillian Schwartz is a pioneer in the field of computer animation. In the early 1970s, she became the official artist in residence at AT&T Bell Laboratories, IBM's Thomas J. Watson Research Laboratory and at Lucent Technologies Bell Labs Innovations where she would experiment with early computer graphics programs to create short works of film art. After studying traditional free-hand drawing while a nursing student at the University of Cincinnati, Schwartz became interested in incorporating technology into her artwork. Along with computer scientist Ken Knowlton, she helped create the image-generating programming language EXPLOR, with which she created many of her works in the mid to late '70s. In addition to her animation, Schwartz has also done research in the field of using computers to analyse the working methods of traditional artists such as Picasso, Matisse and Da Vinci by amassing large databases of their colour palettes and structures within their art. (from: http://www.undergroundfilmjournal.com/tag/lillian-schwartz/)

Personal Info

Gender

Female

Birthday

1927-01-01

Place of Birth

Cast


Crew

The Artist and the Computer

The Artist and the Computer

19764.8 / 10

Raymond Roussel: The Day of Glory

Raymond Roussel: The Day of Glory

20176.0 / 10

Pangloss

Pangloss

20150.0 / 10

Olympiad

Olympiad

19715.2 / 10

Pixillation

Pixillation

19706.2 / 10

UFOs

UFOs

19715.4 / 10

Veil of Years

Veil of Years

19770.0 / 10

Mutations

Mutations

19724.5 / 10

Googolplex

Googolplex

19724.5 / 10

Apotheosis

Apotheosis

19724.5 / 10

Mis-Takes

Mis-Takes

19723.0 / 10

Affinities

Affinities

19720.0 / 10

OHM+: The Early Gurus Of Electronic Music : 1948–1980

OHM+: The Early Gurus Of Electronic Music : 1948–1980

20050.0 / 10

L'oiseau

L'oiseau

19773.0 / 10

La Spiritata

La Spiritata

19762.0 / 10

Newtonian II

Newtonian II

19782.0 / 10

Fantasies

Fantasies

19762.0 / 10

Alae

Alae

19753.0 / 10

Mathoms

Mathoms

19723.0 / 10

Newtonian I

Newtonian I

19782.0 / 10

Bagatelles

Bagatelles

19773.0 / 10

Pictures from a Gallery

Pictures from a Gallery

19763.0 / 10

Kinesis

Kinesis

19752.0 / 10

Mayan

Mayan

19742.0 / 10

Metathesis

Metathesis

19740.0 / 10

Innocence

Innocence

19732.0 / 10

Metamorphosis

Metamorphosis

19743.0 / 10

Enigma

Enigma

19722.0 / 10

Collage

Collage

19753.0 / 10

Papillons

Papillons

19732.0 / 10

Mirage

Mirage

19742.0 / 10

Galaxies

Galaxies

19743.0 / 10

Reflections

Reflections

19940.0 / 10

The Museum of Modern Art

The Museum of Modern Art

19840.0 / 10

Beyond Picasso

Beyond Picasso

19860.0 / 10

Morphing of the Telephone

Morphing of the Telephone

19970.0 / 10

Rituel

Rituel

19798.0 / 10

On-Line

On-Line

19762.0 / 10

The Artist and the Computer

The Artist and the Computer

19764.8 / 10

Poet of His People

Poet of His People

19780.0 / 10

3 Degree K #02

3 Degree K #02

19820.0 / 10

Before Before

Before Before

20120.0 / 10

Trois Visage

Trois Visage

19770.0 / 10

Nino

Nino

19770.0 / 10

Experiments

Experiments

19760.0 / 10

Mime Control

Mime Control

19770.0 / 10

Ensemble #2

Ensemble #2

19770.0 / 10

Juggler

Juggler

19770.0 / 10

Ensemble #1

Ensemble #1

19770.0 / 10

Dancer 2

Dancer 2

19770.0 / 10

Exquisite Motions

Exquisite Motions

20130.0 / 10

EXALT

EXALT

20130.0 / 10

Mood Changes

Mood Changes

20130.0 / 10

3-D Exotic

3-D Exotic

20130.0 / 10

Xtreme Sightings

Xtreme Sightings

20130.0 / 10

NUMÉROS

NUMÉROS

20130.0 / 10

Tacit Expressions

Tacit Expressions

20140.0 / 10

Lily's Sea

Lily's Sea

20130.0 / 10

X-STRIA2

X-STRIA2

20130.0 / 10

The Beauty of Excess

The Beauty of Excess

20130.0 / 10

Expressive Shapes

Expressive Shapes

20130.0 / 10

RGBCMY

RGBCMY

20134.0 / 10

X-STRIA1

X-STRIA1

20130.0 / 10

Twirlinx

Twirlinx

20140.0 / 10

AZTEC

AZTEC

20140.0 / 10

Some of My Best Friends Are...

Some of My Best Friends Are...

19714.2 / 10

The Lady or The Tiger

The Lady or The Tiger

19900.0 / 10