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Our Cinema

Our Cinema

19409.0 / 10

Sonata about the artist

Sonata about the artist

19660.0 / 10

Dovzhenko. Diary. 1941-1945

Dovzhenko. Diary. 1941-1945

19920.0 / 10

Larisa

Larisa

19806.0 / 10

The Diplomatic Pouch

The Diplomatic Pouch

19274.2 / 10

How The Steel Was Tempered - On Screen and In Life

How The Steel Was Tempered - On Screen and In Life

20070.0 / 10

Earth

Earth

19306.7 / 10

Aerograd

Aerograd

19354.6 / 10

Zvenygora

Zvenygora

19286.3 / 10

Arsenal

Arsenal

19296.7 / 10

Shors

Shors

19395.2 / 10

Ivan

Ivan

19324.6 / 10

The Diplomatic Pouch

The Diplomatic Pouch

19274.2 / 10

Love's Berries

Love's Berries

19264.4 / 10

Life in Bloom

Life in Bloom

19495.1 / 10

Farewell, America!

Farewell, America!

19513.8 / 10

Victory in Soviet Ukraine

Victory in Soviet Ukraine

19454.7 / 10

Liberation

Liberation

19406.3 / 10

Bukovyna, Ukrainian Land

Bukovyna, Ukrainian Land

19393.4 / 10

Ukraine in Flames

Ukraine in Flames

19435.2 / 10

Vasya, the Reformer

Vasya, the Reformer

19267.0 / 10

Ukrainian Night of the 33rd

Ukrainian Night of the 33rd

19940.0 / 10

The Golden Gates

The Golden Gates

19715.7 / 10

Poem of the Sea

Poem of the Sea

19585.0 / 10

The Unforgettable

The Unforgettable

19675.6 / 10

Dovzhenko. Diary. 1941-1945

Dovzhenko. Diary. 1941-1945

19920.0 / 10

Downfall of Dieties

Downfall of Dieties

19885.0 / 10

Chronicle of Flaming Years

Chronicle of Flaming Years

19615.0 / 10

The Enchanted Desna

The Enchanted Desna

19645.6 / 10

Oleksandr Dovzhenko

Oleksandr Dovzhenko

Biography

From Wikipedia, the free encyclopedia Oleksandr Petrovych Dovzhenko was a Ukrainian Soviet screenwriter, film producer and director. He is often cited as one of the most important early Soviet filmmakers, alongside Sergei Eisenstein, Dziga Vertov, and Vsevolod Pudovkin, as well as being a pioneer of Soviet montage theory. Although Oleksandr Dovzhenko's parents were uneducated, his semi-literate grandfather encouraged him to study, leading him to become a teacher at the age of 19. Dovzhenko turned to film in 1926 when he landed in Odesa. His ambitious drive led to the production of his second-ever screenplay, Vasya the Reformer (which he also co-directed). He gained greater success with Zvenyhora in 1928 which established him as a major filmmaker of his era. His following "Ukraine Trilogy" (Zvenyhora, Arsenal, and Earth), although underappreciated by some contemporary Soviet critics (who found some of its realism counter-revolutionary), is his most well-known work in the West. For his film Shchors, Dovzhenko was awarded the Stalin Prize (1941); eight years later, in 1949, he was awarded another Stalin Prize for his film Michurin. After spending several years writing, co-writing and producing films at Mosfilm Studios in Moscow, he turned to writing novels. Over a 20-year career, Dovzhenko personally directed only 7 films. He was a mentor to the young Ukrainian Soviet filmmakers Larysa Shepitko and Sergei Parajanov. Dovzhenko died of a heart attack on November 25, 1956 in his dacha in Peredelkino. His wife, Yulia Solntseva, continued his legacy by producing films of her own and completing projects Dovzhenko was not able to create. The Dovzhenko Film Studios in Kyiv were named after him in his honour following his death.

Personal Info

Gender

Male

Birthday

1894-09-10

Place of Birth

Viunyshche, Chernigov Governorate, Russian Empire [now part of Sosnytsia, Chernihiv Oblast, Ukraine]