
20130.0 / 10

20140.0 / 10

TBA0.0 / 10

20190.0 / 10

201510.0 / 10

BEN APPROACHES FILMMAKING LIKE A COMPOSER WOULD A SCORE, WITH A DEEP CONSIDERATION FOR THE FILM'S PHRASING AND RHYTHM. HE USES CONCEPTUAL STORYLINES, REPETITION, AND NONLINEARITY TO STRESS TEST THE MEDIUM'S PLASTICITY. AND HE PREFERS ACTORS WITH BAD TEETH.