20140.0 / 10
20130.0 / 10
TBA0.0 / 10
20190.0 / 10
201510.0 / 10
BEN APPROACHES FILMMAKING LIKE A COMPOSER WOULD A SCORE, WITH A DEEP CONSIDERATION FOR THE FILM'S PHRASING AND RHYTHM. HE USES CONCEPTUAL STORYLINES, REPETITION, AND NONLINEARITY TO STRESS TEST THE MEDIUM'S PLASTICITY. AND HE PREFERS ACTORS WITH BAD TEETH.